American Indians at Chicago's Columbian Exposition

 

So we have three competing discourses in tension with one another emerging from the Columbian Exposition of 1893. Despite their differences, each of them are racializing discourses because they essentialize Native American people and cultures—less complex, less developed, and less human than Euro-Americans:

 

1. The scientific discourse of social evolutionism positioned American Indians as living in “primitive” societies—picturesque and curious but doomed to extinction according to evolutionary principles.

 

2. The assimilationist discourse of the Bureau of Indian Affairs and Christian reformers stated that Native American cultures made it impossible for them to “progress” and become good American citizens. While denigrating Native cultures, this discourse promoted the idea that American Indians could integrate into American society by developing the “proper” civilized attitudes toward work, education, and citizenship.

 

3. The mythologizing “heroic warriors of a vanishing culture” discourse promoted by Buffalo Bill’s Wild West Show generated enduring imagery that captured the imagination of the American public. Although portrayed heroically and sympathetically, the narrative was just as racializing because it too anticipated the “vanishing Indian.” It also entrenched in the American popular imagination a powerful set of romanticized images that all Native people were expected to fit into, or risk being denounced as not “real.”

 

 

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